The Migrant Project

The Migrant Project

50 voices. 1 city.

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  • This City is a Body Performance Excerpt

    • 4 Jul 2007
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    Opening scene of This City is a Body, Hyde Park Barracks Museum, Sydney. The audience is standing on three flights of stairs, amongst them performs the musician, singer and narrator. The dancer is on the ground floor.

    Dancer: Latai Taumoepeau
    Musician: Robin Dixon
    Singer: Mahesh Radhakrishnan
    Narrator: Shakthidharan
    Editor: Shakthidharan
    Filmed by: Elias Nohra

  • 2007 Photo Diary

    • 2 Jul 2007
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    by Steven Papadakis

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  • Public Letter After Final Show

    • 28 Jun 2007
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    by Shakthi

    For the first time in a long time, we can take a breath.

    Our sold-out season of This City is a Body at the Hyde Park Barracks Museum is over – and we can honestly state that CuriousWorks has never done something which generated so much stunning, positive feedback from so many different people before.

    It’s not often you get to put on a show in one of Sydney’s oldest and most beautiful buildings – a show that challenges and celebrates what the city is built on. It’s even more rare to be able to share your
    creations with so many different, appreciative people from across the city – from Koori aunties to recent migrants to attentive groups of eastern suburbs school kids.

    One punter even wrote to the organisers of the Sydney Writer’s Festival, stating that we’d set such a high standard, he was worried the rest of his festival tickets might be a let down!

    A HUGE thank you to everyone who came along and helped make the final installment of The Migrant Projectsuch a success – especially the Historic Houses Trust for being open to bringing the cultures and
    traditions of many Sydneysiders into one of the city’s most beautiful spaces. It means a great deal to us and was the perfect final installment to our live outings.

  • This City is a Body Press

    • 24 Jun 2007
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    This City is a Body was at the Hyde Park Barracks Museum in 2007.

    This package contains the following press:

    • City Weekly Interview – Josie Gagliano
    • SX Editorial
    • MX Preview – Karina Dunger
    • InnerWestern Courier Preview – Rashell Habib
    • Drum Media Interview – Jack Tregonig
    • Liverpool Leader - Anita Maglicic and Domenica Acitelli

     

  • Longing: Grounded Performance Excerpt

    • 24 Apr 2006
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    A contemporary dance piece about longing and memory.

    Dancer: Paul Cordeiro
    Filmed by: Vincent Tay, Iqbal Barkat, Elias Nohra
    Editor: Shakthidharan

  • We: Grounded Performance Excerpt

    • 24 Apr 2006
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    A video layering the experience of William Dawes on the first fleet to Australia with more recent migrant experiences to the country.

    Dancers: Jenni White, Paul Cordeiro
    Editor: Shakthidharan
    Filmed by: Vincent Tay, Iqbal Barkat, Elias Bakhos

  • Grounded Press: India Link Review

    • 24 Apr 2006
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    Indialink-review

    by Arvijit Sarkar

  • Grounded Publicity

    • 24 Mar 2006
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    Grounded-flyer

  • Grounded Press: Sydney Morning Herald Preview

    • 22 Mar 2006
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    Original article can be found here.

    Spinning outside the artistic – and racial – boundaries
    By Clare Morgan
    March 22, 2006

    The artists and performers who have spent the past year devising a
    show about the migrant experience certainly haven’t been short of
    material. From debate about Islamic culture to the Cronulla riots,
    issues of race and national identity have dominated headlines for
    months.

    Those issues have found creative expression in The Migrant Project, in
    which artists and performers with cultural heritages from around the
    world have come together to weave music, dance, theatre, visual media,
    sound, light and installation.

    After 12 months in development, the project culminates this week with
    Grounded. The first instalment, Standing, played at the Performance
    Space last September, and Drifting, was part of the National
    Multicultural Festival in Canberra last month.

    The man behind The Migrant Project, Shakthidharan, says he wanted to
    create art that moved away from compartmentalising migrants. “I have
    seen some really amazing shows, often from quite mainstream
    companies,” he says. “But I was thinking about it and realised they
    are all very much about one particular culture, one particular issue.
    I was worried that while they were fantastic shows, in a way they were
    supporting the very thing they were criticising. They would be outside
    everyday Australian life, and people would come and see it as being
    outside Australian life.

    “We wanted to explore what happens when these
    things come into contact with each other. We talked a lot about that
    and what came out was the idea that everything we have in common in
    Sydney is our identity as migrants.” The 23-year-old set up the group
    Curious Works to bring together “people who don’t usually meet each
    other, ideas that don’t usually come together and community groups
    that don’t normally speak to each other”. “To the extent that we could
    manage it, they are a bunch of strangers in a room trying to find out
    common points between each other. It was about people stepping outside
    their boundaries, artistic as well as cultural.”

    That has meant some creative friction: “The dancers want to know that
    the whole story can be told in movement, and the musos say you can’t
    do that. It’s about being co-dependent, and working that way is really
    hard. We argue a lot but it’s all really good argument.”

    The Cronulla riots inevitably get a mention, although Shakthidharan
    says it is not in the context of an expose or laying blame. “With the
    Tampa and the Cronulla riots, they’re all about this idea that some
    group somehow possesses something,” he says. “If you start from the
    viewpoint that all of us travelled here, and none of us own this
    place, I think it would help things a lot.”

    Conscious that some might regard the project as a leftie love-in,
    Shakthidharan says: “It’s not about having a show that says ‘Howard’s
    an arsehole’ or a show that says ‘Aren’t people beautiful?’ We want to
    bring those things together to see them in contrast with each other.
    There are parts of the show where people who are ‘left’ will be
    challenged.”

    He admits that whatever audiences take away from the performance, it’s
    not going to change the world. “It’s a show, so it’s not going to
    create legislative change. But unless you’re a superhero politician or
    a really good leader, the arts is one area that can bring different
    groups together.”

    Primarily, he wants to celebrate Australia’s diversity. “It’s
    unfortunate how desperate our need is to do that now. We are built on
    migration – if we can just get that idea across, I’d be so happy. The
    whole argument about who is Australian and what makes somebody an
    Australian is a waste of time. What makes us Australian is what makes
    us human beings.”

    Grounded opens at the Seymour Centre on Friday.

  • Nangami by Villawood Koori Kids

    • 24 Feb 2006
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    Cb-fcc

     

    This film was made by the Villawood Koori Kids with the support of CuriousWorks as trainers, mentors and facilitators. Their work was part of The Migrant Project performances and is part of This City is a Body: The Migrant Project Film.


    Find more videos like this on All Around You

    Images from the shoot:

     

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  • About

    Shakthi is the Founding and Artistic Director at CuriousWorks.

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